Tag: 1991

Child’s Play 3 (1991)

Posted on by fenrisfil

I wasn’t a huge fan of Chucky back in the day. However, the possess doll has proven himself more than able to stand the test of time. Indeed Chucky is still popular and in recent years had both a reboot and a TV series. Reviews of the former was poor and the latter mixed. But still, Chucky is obviously around to stay. SIn recent years I have re-watched the first two movies and gained a new appreciation for the character. Those were the only Child’s Play movies I had ever seen up until now. Part of that was because the third movie had poor reviews and it’s worth noting only one of the movies has gained a lower score on IMDB (Seed of Chucky). So I wasn’t expecting greatness, but perhaps I would be surprised. After all, movie quality isn’t what it used to be and what was rated badly back then may not be rated so low now.

The movie is directed by Jack Bender from a Don Mancini Script. We pick up eight years after Chucky (Voiced again by Brad Dourif) was defeat in the previous movie. After years out of the market, the Good Boy factory is opened up again. While clearing out the debris a drop of Chucky’s blood falls into the plastic mixing vat and thus when the first new doll comes off the line, Chucky’s soul is transferred into it. Chucky wastes little time hunting after his old nemesis Andry (Now played by Justin Whalin) and mails himself to his new address, a military school. In a twist of events, Chucky ends up being unpackaged by a young boy at the military school, Tyler (Jeremy Sylvers). Chucky realizes he can steal this kids soul instead. It’s down to Andy to try and stop him.

Hide The Soul

Child’s Play 3 is an attempt to move the franchise on from the structure of the first two movies, but it fails to really achieve this. Andy is now a teenager and that was a sensible move. The switch to a military base provides a lot of fresh opportunities too. However, Chucky is now trying to switch souls with a different little boy and that means we’re largely still repeating the first two films. This is largely the trend for this film, ideas that are not bad but are not really developed. Instead everything just gets thrown out there. This is not a long movie and the pace is pretty quick. For a slasher movie that’s not the worst idea, but it doesn’t hurt to slow things down a little now and then and get to know the characters.

While the film does feel rushed, it actually does achieve everything it needed to. We get a basic grip on all the characters, they all feel somewhat two dimensional and broad character archetypes but it’s a functional knowledge. The kills are fairly unique and Chucky provides a few humorous moments on the way. Despite that there is nothing really here that stands out as particularly memorable. Outside of Brad Dourif, the cast are pretty average. Brad of course is returning here for his third movie as Chucky and is very comfortable in the role. The cinematography has it’s moments but again, nothing stands out. The musical score is actually pretty good and I liked the frantic feel of it.

Conclusion

While this third installment in the franchise is somewhat by-the-numbers and rushed, it manages to hit all the vital notes to make the film work. The end result is a solid, but not outstanding slasher that doesn’t overstay it’s welcome. Ultimately it is exactly the kind of film you’d expect from the third installment from a horror franchise. This is a strong 5.5/10. Fans of the first two movies will probably enjoy it.

Rating: 5.5 out of 10.

The Resurrected (1991)

Posted on by fenrisfil

The Resurrected is based on the H.P. Lovecraft story “The Case of Charles Dexter Ward“. It is directed by Dan O’Bannon and written by Brent Friedman. The pair had been independently working on adaptations to the story for years before their eventual team up. The Lovecraft story is sort of an unusual one in that the author himself didn’t like it and refused to release it during his lifetime. However, it was printed posthumously and is regard by some as among his finest work. Lovecraft usually works best as an inspiration rather than directly adapting his work and as a result there are few examples of successful. Usually those that were successful (Such as “The Re-Animator”), barely resemble the source material. Lovecraft it turns out is hard to adapt faithfully. But here it is attempted.

The story follows detective John March (John Terry), who has been hired by Claire Ward (Jane Sibbett) to investigate her the increasingly bizarre activities of her husband Charles (Chris Sarandon). Claire reveals the catalyst for this behaviour seems to be the sudden uncovering of his family history and their visitation to an abandoned ancestral farmhouse near Pawtuxet. In the farmhouse Charles found a painting of a man called Joseph Curwen who bares an uncanny resemblance to Charles. John’s investigation reveals that there may be something unnatural going on, perhaps something supernatural.

Comparisons

This movie is based on the same Lovecraft story as Roger Corman’s “The Haunted Palace” (1963). Since I’ve reviewed both I may as well compare. First thing to note is that this is a more faithful adaptation. Not a surprise given Corman marketed his version as an Edgar Allan Poe story (The only thing Poe in the story was the title). However, low budget horror is Corman’s specialty and his movie had the benefit of Vincent Price as the antagonist. As a result it still managed a 6/10 from me. Not earth shattering but solid. O’Bannon’s version is more faithful and certainly has the better effects. Dan is no slouch when it comes to gory visuals as he demonstrated with his brilliant “Return of the Living Dead” in 1985. Now these have aged in the 33 years since release, but for the budget and era they were great.

It’s important to note when it comes to Dan O’Bannon is that while he was fine as a director his real claims to fame comes from his writing. His biggest credit being on the sci-fi horror masterpiece “Alien” (1979). So the fact this story was written by Friedman and not O’Bannon leaves me wondering what could have been had O’Bannon had completely creative control. This is especially true given the studio had the final cut here. That said Friedman’s approach was to basically make as few changes from the source material as possible, so not a terrible idea. The movies opening is not especially strong, but things do pick up after. The gradual unraveling of the mystery is played out well and as we reach the final act O’Bannon breaks out the effects in a big way. The ending though is a little disappointing, but is at least visually memorable.

Final Notes

Where this loses points to Corman’s version is with the acting. Chris Sarandon is excellent but the rest of the cast are average at best. The cinematography is somewhat lackluster too. When we’re not seeing something monstrous, we’re not seeing much at all. The movie definitely feels made for video. The plot though is solid and works better than the simplified Corman version. The ending switches out the heroic save of the damsel in distress for a much darker confrontation. It may lack the excitement but it fits the tone of the story. Overall this just about warrants a 6/10. Not the best horror, but a decent one that remains very faithful to it’s Lovecraft roots. It’s narrow, but this is the better version of the story.

Rating: 6 out of 10.