The Beast From 20,000 Fathoms (1953)

If you’ve followed my past October Challenges you know I always give a few days over October to checking out some golden age horrors. This year is no exception and I’ve decided to finally check out the American independent film that predated and influenced “Godzilla” (1954). That is “The Beast From 20,000 Fathoms”. Directed by Eugène Lourié and is very loosely based on the Ray Bradbury short story “The Fog Horn” (Ultimately just one scene). Paul Hubschmid stars as “Prof. Tom Nesbitt”. Paula Raymond, Cecil Kellaway and Kenneth Tobey provide support.

Far north of the arctic circle, a covert nuclear weapons test awakens an ancient beast from it’s frozen slumber. The loan survivor the monsters rampage, professor Nesbitt finds himself in the position of having to prove an ancient Rhedosaurus dinosaur is roaming the earth and poses a very real threat to America. He finds allies in paleontologist “Thurgood Elson” (Kellaway) and his young assistant “Lee Hunter” (Raymond). Eventually they convince “Col. Jack Evans” (Tobey) to investigate. They find the creature, but now the question remains: How to stop it.

The Beast Awakens

Much like Godzilla, this beast is awoken by nuclear testing. However, unlike the famous Kaiju, the Rhedosaurus doesn’t have a direct connection with the radiation. Indeed, it is definitely not immune to it like Godzilla is. However, it does spend half of it’s time in the ocean just like Zilla. Another similarity is unknown virus spread from the creatures blood. In Godzilla, survivors of his attacks tend to suffer radiation sickness, presenting largely the same way. There are enough similarities that it seems unlikely this film didn’t influence the more successful piece. There is debate on the subject though and maybe this is just another one of those coincidences. Personally, I doubt it. However, Godzilla is the better movie.

That’s not to say “Beast” is bad. It is a little straight forward, but it was the first of it’s kind. It’s safe to say they were more concerned about how to put a believable giant dinosaur on the big screen than coming up with a layered plot. The effects are really worthy of praise too. Yes they have of course dated (After 70 years, that is a given) but they haven’t dated as much as you may think. The animation is jerky at times and the transition from model to set is occasionally jarring. Overall though, I was impressed. In it’s day, this must have been stunning. It (Along with a re-release of King Kong) did spur a spate of giant monster films in the US. That’s not a bad legacy.

Conclusion

There’s not a huge amount more to say about the movie. It was an effects and spectacle movie and it provided that. Impressive for its age and for the fact it was independently created. The rest of the movie is average. The plot is divided between proving the monster exists and then trying to destroy it. The first half is solid, but not what anyone watches this movie for. The second half is very basic, but provides most of the spectacle. There’s not really anything I consider bad here, it’s just I know you can do a lot more with a giant monster. I’m going to settle on a 6/10. Your enjoyment may depend on how well you handle 70 year old effects, but if you like Kaiju’s, you owe this film a viewing.

Rating: 6 out of 10.