The Changeling (1980)

Another review from my October Horrorthon, this time “The Changeling” from 1980. The movie is directed by Peter Medak (“The Krays”) and stars George C. Scott (“Dr. Strangelove”, “Patton”) as John Russel with support from Melvyn Douglas and Trish Van Devere.

John Russel, is a music professor, grieving the loss of his wife and daughter in a traffic accident. To get a clean start he moves to Seattle where he rents out a Victorian Mansion from an agent of the local history society, Claire Norman (Van Devere). It turns out the property has been vacant for twelve years and it appears to be haunted. After a number of unexplained events within the house John brings in some specialist in hauntings to try and communicate with the spectral presence that turns out to be the ghost of a young boy.

The first act is a pretty solid haunted house affair, with a nice steady build up to the discovery of a hidden attic bedroom and a music box that plays the same tune which John had previously “composed” earlier in the movie (under the influence of the house). Things change drastically though for the middle act which is more of a mystery thriller as John delves into the story of the child and the house and uncovers the dark secret of the Mansions former owner. The vengeful spirit gets back involved though in the final act where things are ramped up in a suitable fashion (and we get a few deaths to boot). As a horror the middle act breaks the tension a little too much, but it does allow for a far more interesting ghost story.

John is an interesting character with a very personal motivation for investigating ghosts and it gets even more personal when a séance (involving some ghost writing and EVP) reveals that the ghost is that of a murdered child. The problem though is that John as a little too calm about the whole thing while the vengeful spirit, despite the odd temper tantrum is focused solely on finding justice for what was done to him. For most of the film they are on the same page so once the mystery is in motion I never really felt John was in any danger in the house. The mystery surrounding the house and ghost however is very compelling and it is refreshing to see a haunting with a more complicated and nuanced story behind it. 

This is a different kind of ghost story with the focus on the mystery instead of the horror and while the haunting elements do have their moments (Especially the child’s wheelchair moving itself around the house and a few things in the final act that I won’t spoil for you) it’s not especially scary or unsettling. The central mystery is directly linked to the name of the film and certainly provides a dramatic George C. Scott does a solid job in the lead role (especially as this is a movie very focused on it’s lead), but I would have liked to have seen a bit more made out of loss and how that relates to the plot of the film on an emotional and introspectional level. Overall though, this was an enjoyable movie. 

Rating: 6.5 out of 10.
https://www.youtube.com/watch?v=xTzgXVosQOU

The Haunting (1963)

Look, I know the supernatural is something that isn’t supposed to happen, but it does happen.

Another movie from my October movie challenge that inspired the creation of this blog. My pick for October 11th was 1963’s “The Haunting”, based off the novel “The Haunting of Hill House” by Shirley Jackson. Yes the same source material as the Netflix series (and also a second movie in the 90’s). Unlike the TV series this film stays mostly true to the source material, though there are definitely links between the two versions. 

 

Messing with the Supernatural

The movie is helmed by Robert Wise (The Day the Earth Stood Still, The Andromeda Strain) and stars Julie Harris, Claire Bloom, Richard Johnson and Russ Tamblyn (Who made a cameo in the TV show). Unlike the TV series this focuses on four strangers that are gathered together by investigator of the paranormal, Dr. John Markway (Johnson) as an experiment to prove the existence of otherworldly things. There were meant to be more, but the others heard rumours about the place and decided against it. They probably had seen horror movies before. As a result the only participants to show up are Eleanor (Julie) and Theodora (Bloom). They are joined by Dr. Markway and Luke Sanderson (Tamblyn) who will one day inherit the property.

Theodora is very similar to her namesake in the TV show (i.e. Gay and psychic), though toned down because it was 1963. Eleanor though is our main character and the target of the Houses evil desires (Her equivalent in the show is pretty much all the other female characters… yeah she’s basically screwed).

Things that go Bump in the Night

This is black and white and a great reminder of just how effective a haunting can be without evil nuns and bent limbed monstrosities crawling at you on their back in stop motions. Instead this relies on shakes and sounds and the actions of the characters (and in the case of Eleanor, her thoughts) and it’s incredibly effective. In the case of Eleanor we get to see her go insane as she is both terrified and seduced by the house. There are some great visuals (and sound bytes! I recognised the opening of White Zombies “Super Charger Heaven” early in the film) including a lot of camera work that reminded me a lot of “The Evil Dead” so I’m guess this movie was a big influence on Sam Raimi.

This is a masterfully crafted horror movie whose only real downside is that we are so used to all the modern visuals that some may consider this a bit too tame. But the characters are all interesting in their own way, the frights are effective and the manipulation of poor Eleanor was well executed. Over my October viewing I would watch several ghost stories and this stayed firmly at the top of the list. There is a reason why updating the story with modern visuals was so effective for the TV series and it’s clear that the show owed a lot specifically to this movie (instead of just the original novel). But while that had the benefit of modern effects, this shows almost nothing and yet is extremely effective. It really is a masterclass in how to do horror without gore or CGI. If you are a horror fan you owe it to yourself to give this a watch.

Rating: 8 out of 10.