Deadpool and Wolverine (2024)

It’s been a while since I’ve reviewed a superhero movie. The truth is most of them aren’t that interesting to me these days. However, this team up is too appealing to resist. If the box office is any indication, I’m not alone in feeling that. This is a truly unique situation for a movie. It’s not just along overdue team up (We don’t talk about “X-Men Origins:Wolverine”). It’s also the first time Deadpool, regular breaker of the fourth wall has been able to directly reference the MCU. Last but not least it is more than nostalgia it is the farewell to the Fox X-Men universe. Truly, the end of an era. Effectively this is the “End Game” of the the Fox Superhero franchises.

Spoiler Free

This installment of the Deadpool franchise is directed by “Free Guy” (2021) director Shawn Levy. Writing credits go to Levy, Reynolds, Rhett Reese, Paul Warnick and Zeb Wells. Ryan Reynolds obviously returns as Deadpool and is joined by Hugh Jackman as Wolverine. Emma Corrin and Matthew MacFayden play the movies main antagonists (“Cassandra Nova” and Mr. Paradox” respectively). The rest of the cast will remain unnamed by me since that is basically spoilers (Don’t look at imdb btw, they are listed). Before I give you the basics, it’s important to know this is a spoiler free review. However, I will reference the material in the trailer, so if you have been avoiding even watching that you may want to skip to the conlusion.

I will keep the plot summary minimal. Effectively Deadpools universe is going to collapse due to the death of it’s “Anchor”. Being the universe of the Fox X-Men it’s no surprise that the anchor is none other than Wolverine. Don’t think to hard about an entire universe revolving around one single person from Earth, it is what it is! Deadpool is recruited by the Time Variance Authority and offered a new life in a certain other universe (Yes, the MCU). However, he would prefer to try and fix his own world. To do that he needs to find a new Wolverine. From here on things get complicated and spoiler filled, so that is all you are getting from me on the plot!

The Fox Multiverse

The movie features a lot of cameos, some of which actually turn into substantial supporting characters (At least for the middle act). If you have seen the trailer you know of two of these cameos, X-23 (From “Logan”) and Sabretooth. X23 is one of the characters with a more substantial role and it’s good to see the character grown up. Alongside her though there are three more characters that get a bit of a story arc and one more big (If short) cameo. On the villain side there are several cameos but most are blink-and-you’ll-miss-it affairs. The selection for all of these are well balanced and will give some surprises while providing at least one long overdue return of a fan favourite.

In some ways the use of the multiverse for these characters is similar to how it was used in Spider-Man: No Way home. It actually provides somewhat of a redemption arc for characters and actors that were not given the best of send offs or really even given a chance. But it’s important to note, these characters are mostly limited to the middle act. The first and final act still make use of the multiverse but in very different ways. But while this is all fun and creative the film never loses sight of what is important: Deadpool and Wolverine. This is their journey. Of course this is a Deadpool film first and foremost and that means Deadpool style humour and fourth wall breaking, but Wolverine fits into that world almost perfectly.

The Good, The Bad and The Other Stuff

So what about the weaknesses? Well, the plot never really feels that important. Perhaps because it is approached in a such a meta way or because the multiverse removes all stakes anyway. The movies two antagonists are okay and Emma Corrin does a great job as Cassandra Nova but their motivations for the entire film effectively feel like they just need to make the plot happen. It’s like they didn’t want a plot to get too in the way of the comedy. That’s fine but it is still the movies weakness. The TVA (As revealed in the trailer) are basically just here to initiate events and in many ways feel like an unwelcome interloper into a movie that is very much about the Fox Marvel films. It’s not a major issue though as they don’t dwell too heavily on any of the MCU elements.

The best thing about the movie is that it is fun! Of course it’s a Deadpool movie and you know what to expect. Outrageous comedy, meta comedy and outrageous meta comedy. The movie dives head first into the last of those right at the start. They found a remarkable way to simultaneously respect and disrespect the ending “Logan” (2017). This, they managed in a way that I think most people will be okay with it. Many watching will have no idea who the cameos are and won’t get a lot of the references. The humour though, should all still land. That is important because technically to get the most out of this movie you need to have seen every Fox and Disney Marvel movie, but if you haven’t seen a single one of them you should still have fun.

Conclusion

So what does the future hold now for Deadpool, Wolverine and the MCU? Impossible to tell. This movie has a lot in common with Spider-Man: No Way Home. That movie firmly remained an outlier for the MCU. The wrong lessons were learned and Marvel ultimately dived blindly into the multiverse to the point where everything seemed unimportant. Outside of that the MCU stuck to the plan that Kevin Feige had laid out before the Fox acquisition with extreme tunnel vision. This movie should show them that those Fox characters are still well loved. Ignoring them is leaving money on the table. That said, they need to have their own take on these characters. I don’t envy anyone stepping into High Jackman’s shoes.

The MCU is a juggernaut of a franchise and course correction takes a long time. We will have to see if they can manage it while there is still an audience. Whatever fate has in store for the MCU, this movie is a success in every way that matters. It is a final emotional farewell to the Fox era of superhero movies, a long overdue team up and highly entertaining movie in its own right. Oh and it’s also making bucket loads of money at the box office. This is a success and it’s a big recommendation from me. Is it the perfect movie? No, frankly the plot is paper thin and that limits the rating, but the movie is so much fun I’m still giving it one of my highest ratings 8/10.

Rating: 8 out of 10.

Guardians of the Galaxy 3 (2023)

Marvel has lost all momentum in the cinema in recent years, so much so that some of their movies have even lost money. Everything is relevant of course and these movies are still bringing in hundreds of millions. However when your budgets reach$250m (That they admit to), you are basically looking at $600m just to break even. These are films that need the majority of the general audience to turn up to make a profit. Yet, Marvel have been putting out an increasingly niché product, that fails in broad appeal. On top of this franchises tend to suffer a delayed impact on box office from underwhelming entries. In this instance the previous MCU film, clearly made people cautious for Guardians 3.

Marvel of course is fairly unique in having sub-franchises. Two of these run largely independently from the greater MCU, namely Spider-Man and Guardians. Despite the long gap between the second and third movies there is still a strong fanbase for this franchise. What we’ve seen in the box office so far is a cautious opening weekend. This reflects a lack of faith in the MCU in general right now. The second week however had a very strong hold. My interpretation of that is that a lot of people held off until they heard the word of mouth. So is it worthy of that hold? Let’s dig in.

Synopsis (First Act Spoilers Only)

Part three part picks up a fair way after the second movie. Like many characters in the MCU, the team were heavily impacted by the Infinity War. The Gamora that was in a relationship with Quill was sacrificed by Thanos and is not coming back. However an alternative version of her from her own past has been transplanted into the modern day, rolling her back to where she started with the franchise. Quill is naturally not too happy with this and has found himself spiralling into depression.

This story actually picks up shortly after the Christmas Special, but with minimal impact. Basically just the groups new home and the revelation that Mantis is Quill’s brother.

The Guardians have settled down on Knowhere (The former base of the Collector) and renovated it into a a decent sized settlement for former Ravagers and other space misfits. Things are relatively peaceful (Outside of an increasingly drunken and mopey Starlord). That peace is disrupted by the sudden appearance of Adam Warlock. You may remember Adam as the genetically modified super being from the end of GOTG2. Warlock attacks the settlement, leading to Rocket Racoon being badly injured. As the Guardians attempt to give him medical treatment, a failsafe inside Rocket activates threatening his life. The Guardians then find themselves in a race against time to deactivate the failsafe so they can safe their friend.

Their quest brings them into conflict with The High Evolutionary, a powerful super genius whose past is heavily linked with Rocket’s. They find themselves working with another group of Ravagers, including the alterative Gamora. Neither Quill nor Gamora are especially happy with this arrangement. In classic James Gunn style, every character big and small gets their moment in the story. The downside is this pushes the run time up to a whopping two and a half hours. That gives us a lot to talk about, but don’t worry I’m keeping this as spoiler free as I can.

Villains

Let’s have a look at the move’s characters, starting with the big bad, The High Evolutionary. It’s hard not to compare Chukwudi Iwuji performance to that of Jonathan Majors as Kang. It’s a comparison that has Iwuji coming up on top… by a long way. Frankly Majors is overrated and has been over promoted.That’s understandable given how important the character is to the Phase Five. Iwuji however is severely underrated, has not really had any kind of push. Indeed he is barely in the promotional material for this film.

This is a shame, because he really nails it. He brings a sinister calmness to the role with a dangerous rage quietly bubbling under the surface. Iwuji delivers a superb performance and in my view is the best Villain the MCU has given us since Thanos. Admittedly that’s not a terribly high bar for phase 4/5 of the MCU. This is a villain you could build an entire phase around. But, Iwuji is a Gunn recruitment not a Fiege one, so this was probably never on the table. Fans of the Gunn TV series “Peacemaker” will recognise Iwuji from there and I wouldn’t be surprised to find him returning to DC in the future (In a new role).

We have a different story with Adam Warlock however, but this is a complicated one. Will Poulter is fine in the role. The problem is that Warlock feels superfluous to the entire story and has been made into yet another goofy, fish out of water “Bim-Bro” type character. Effectively he’s MCU Thor. Now fans of the comics will know that Adam Warlock is actually a great character. They will also know he was central to the entire Infinity Saga. So here he’s effectively missed his own destiny leaving him directionless. So it’s unsurprising he’s being set up as the next Thor. I fully expect his next few appearances in the MCU to involve him going off to find himself.

A character missing their own destiny isn’t new for the MCU. The Mandarin also missed his chance as Iron Man’s primary antagonist by not turning up until Tony had sacrificed himself. At least that character managed to slip into the role left by Shang-Chi’s comic book father Fu Manchu. Adam has no role to take over and it tells. It is likely only here because he was promised in the post credits scene in the previous Guardians movie. It’s impossible to know if Gunn had larger plans for him originally, but now he’s just sort of there. To be fair, he does get to kick some ass early on. For the rest of the movie though he’s just sort of hanging around. Honestly, he could have been cut entirely and the movie may have been better for it.

Heroes

So that leads us to the heroes. This is a bit of a mixed bag. As I mentioned earlier, everyone gets at least one moment to shine, but not much more. It is possibly too large a cast at this stage to do give everyone serious character arcs. Gunn’s style is somewhat similar to Joss Whedon in that the stories are heavily character based and rely on smaller moments of character banter to gradually develop the characters. The result is that many of the characters don’t develop in a significant way throughout the movie. This is a bit more realistic but not always as satisfying as a story focused approach.

Case in point Quill (Minor spoilers) doesn’t really develop much. He starts out lost and ends up trying to find himself. At this stage that is basically a generic Marvel cliché for the male characters. Drax meanwhile has his character arc sort of thrown at him late in the movie. This is very small, but is actually quite satisfying for the character and will no doubt resonate with some audience members. Nebula is just sort of there. To be fair she has gone through a lot of character development prior to the movies and the Infinity War. What we get instead with Nebula is to see just how much she has evolved since her introduction.

Alternative Gomorra has some development, but is effectively just repeating the development her other version had during the first movie. Mantis has a small amount of development, but quietly in the background and Groot is Groot. Kraglin, despite being a minor character, basically get’s an 80’s martial arts movie character arc. Just replace the special ancient technique with controlling the Yaka Arrow). Perhaps though Kragin’s real story is in his relationship to the telekinetic super-dog Cosmo. That’s one thing I’m sure all the dog lovers in the audience will get a kick out of.

Then we get to Rocket Racoon and be in no doubt this is his movie. We get to see his origins and what made his personality the way it is. Through all that, he gets a serious amount of character growth. It’s just a shame that the set up to all this actually eliminates the popular character from the majority of the movie. Despite this it is an emotional journey for him and the audience. If you are a fan of Rocket Racoon, expect it to be both frustrating and emotional.

And the Plot?

Story wise, I have issues and this really reflects how much of a character based writer Gunn is. The first point of note is the often self defeating actions of the antagonists. On several occasions the villains do things that seem to sabotage themselves for no readily apparent reason other than to drive the plot forward. This wouldn’t be so bad, if those errors of judgement weren’t the driving force for the majority of the movie. The film is very lucky to have such a capable actor as it’s main villain, since his performance can at least in the moment let you ignore all that. Hard not to question it after though.

A big issue for the movie is it’s length. There is a lot of debate to be had on whether the inclusion of either Adam Warlock or Gomorra was really necessary for the movie. The truth is they are both there just because they were expected to be there. Gomorra is there because she was a key character in the first two movies and that’s it. There is some purpose for her though in showing how circumstance can change where someone ends up, but doesn’t change who they are at heart. It’s a nice sentiment, but wasn’t really needed to conclude the story.

Adam Warlock is perhaps the films biggest issue since his presence seems to damage both the movie and the character. The truth is he wasn’t needed for the film and had he not been revealed in the post credit scene after Guardians 2, he probably wouldn’t have been in it. Removing either him or Gamora would probably have reduced the films run time by a good 15 minutes without any real impact. There was also a random scene involving giant space monsters that basically don’t do anything, making the entire section superfluous. Removing all of that would probably have had the runtime down to a solid 1 hour 50. Just about perfect for a superhero movie.

That said, the movie doesn’t drag much. It is basically split into three very distinct acts, each with their own build up, major action scene and wind down. The format kept me interested and each section had it’s positives and negatives. They movie is packed with references and cameos too, which while not something that helps the overall quality. It does add a little bit of fun on the first viewing though, and some talking points. Naturally the cameos include yet another appearance from Howard the Duck, but we’re also treated to a brief appearance of Sylvester Stallone, reprising his role of Stakar Ogord from the second film.

Mix Tape Vol. 3

That brings us to the final element we all expect from a Guardians movie: The music. Well… yeah, it’s not that great this time out. It’s not that the music is itself bad, it’s just not quite up to the level of the previous movies and when the music has been so good previously, you notice the drop off. Some of the choices are quite strange too, for example Alice Cooper’s version of “I’m Always Chasing Rainbows”. That is far from Alice’s best track and the song itself is a cover, with the original being over a hundred years old.

I can’t help but wonder if the music clearance budget for the film was slashed this time or if Gunn simply chose to keep back the really good tracks so he can make use of them in his upcoming DC movies. Gunn has good taste in music, but his choices are usually pretty big hits from their era/genre. Not obscure gems such as the ones Tarantino tends to dig up. I imagine there is a limit to how many good tracks he can dig up. Perhaps he didn’t want to waste his best ones at a company he is departing? Who knows. Either way, the soundtrack is the least memorable of the series. It’s not actually bad however, it’s just not a selling point like it was for the previous films.

Assessment

As a critic, I have to be critical. But despite all that I want to be clear, I had a lot of fun with this movie. Despite the flaws and the step down in some regards from the previous movies this was an emotionally satisfying movie with fun action scenes and some good humour. The length didn’t damage my enjoyment, at least not on the first viewing (Remains to be seen how I feel in the years to come) and while I didn’t leave the theatre humming any of the tunes I wasn’t putting my fingers in my ears either. The story focus on Rocket definitely works and the villain is the best MCU villain since Thanos.

That said, we don’t have a very high bar in regard to villains in the MCU and even when Marvel was more consistently good, the villains were rarely the selling point. They really need to nail that Doctor Doom casting if the MCU is to have any hope going forward. This was a final chapter for the Guardians and it may be a final chapter for many’s journey with the MCU, but the good news is it’s a pretty satisfying ending. If you were to watch Phase 1-3 and follow that up with just Spider-Man No Way Home and then this you would feel pretty content with your journey. This movie is a strong 6.5/10 and a hairs width short of a 7.

VERDICT: 6.5/10 – Recommended, especially to fans of the previous movies.

Rating: 6.5 out of 10.

Bonus Round – The State of the MCU

With this movie and Gunn’s departure it seems certain this is the end of the Guardians as we know them. Sure Disney still owns the rights, but without Gunn, it won’t be the same and many of the actors will not want to return. On top of this there is no announced Spider-Man film suggesting that Sony may be pulling out of their deal with Disney. Things look bad for the MCU. This of course follows the departure of Tony Stark, Steve Rogers, Natasha Romanov, T’Challa and probably Thor. The MCU desperately needs to bring in some top name draws again to prop up the smaller sub-franchises, but there is no sign of this happening any time soon because of Kevin Feige’s stubborn refusal to change his plans for Phase 4-6 despite the Fox purchase.

The comic book giants of The Fantastic Four, The X-Men and huge names like Doom and Wolverine have just been sitting on the shelf while Marvel rolls out it’s E, F and J list heroes. I’m not kidding with that either, there are definite tiers for Superheroes, the A list for Marvel is just Spider-Man. The B-List are Hulk, X-Men and until a string of failed movies downgraded them, The Fantastic Four, then you have Iron Man, Thor, Captain America, Wolverine and Magneto/Prof-X as the C-List. That was the level on which the MCU was built. Blade, Daredevil, Ghost Rider and maybe She-Hulk and a few of the X-Men as individuals are the D-List level. The rest, including Ant Man and The Guardians would have been E-List or lower, which shows you can make it work on an individual basis, but you need some bigger names for the larger franchise.

The Downward Spiral

The problem with using the lower tier heroes is you need someone with real talent and creativity to make it work. They had that with James Gunn and now he is gone and Marvel don’t have anyone else that can pull that kind of thing off. With budgets increasing and returns decreasing, each new Marvel movie represents an increasing poor ratio of risk to reward. Ant Man Quantumania lost money, Guardians 3 will likely only generate the same profit level as a successful Horror (About $100m in profit), but Horror does it on about a tenth of the budget of a Superhero movie, so far less risk. The next three movies Marvel has on it’s slate may struggle to even achieve Ant Man numbers and when they finally get to Blade, it most likely will be back in that Horror film profit range (But with a Superhero film cost).

Logic would suggest Disney needs to radically slow down on the number of Marvel movies it puts out and focus on the bigger B and C list names, leaving the D and E list to the TV shows and relegate the rest to supporting characters for now (Until they can find a new Gunn or Whedon and even then probably best to focus on the teams instead of individuals at that level). It’s worth noting that the original plan was probably for Phase Four to cash in on the momentum from the Infinity Saga, bringing in the expectedly large audiences by default for those lower tier characters. But Covid struck and by the time they could get any of those titles out, the momentum was gone. Still, the failure to find a pivot to a new plan is entirely on Feige.

Meanwhile at DC…

But as one door closes another opens and a new chapter begins over at Warner/DC. James Gunn has a vision, it remains to be seen if that vision is any good but chances are it will be better than what Warner has been doing for the last decade (Aside from the excellent Joker movie of course). Before we get there though, we have to find a path through the last remnants of the older regimes. Namely we need to get past the Ezra Miller Flash film and Jason Momoa’s likely final appearance as Aquaman. Momoa is probably not going anywhere, but if rumours are true may be switching roles to one he is better suited for, namely Lobo. Miller meanwhile is almost certainly gone after The Flash, yet his movie is the pivot on which the old DCEU morphs into Gunn’s new DCU.

The new era truly begins with “Superman:Legacy”, a film that will make or break DC in the coming years. But even if it turns out to be a good film, it could be a case of too little, too late for Warner to properly cash in on the Superhero fever of the last decade. Superhero fatigue may well be a thing. We will have to wait and see. At the time of writing, though Gunn has announced a slate of films, he hasn’t cast anyone for them yet and we are a long way away from seeing trailers. Who knows where he goes from here. Chances are though, as someone that likes to work with the same people we may well see the actors behind the Guardians turning up in DC. Karren Gillan has already suggested she’d like to play Poison Ivy for instance. Sounds good to me.

Werewolf By Night (2022)

Tonight’s movie is technically as a “TV Special” instead of a movie, but as a stand alone story of 52 minutes length and some of the movies it pays homage to are only around one hour too I feel this counts. “Werewolf By Night” is technically part of the Marvel Cinematic Universe, though the story has no direct links or mention of other aspects of the MCU so it is for all intents and purposes a separate world (At least for now). The story is based around two Marvel characters that date back to the early 1970’s, the title character (Often just referred to as “The Werewolf” in the comics) is joined by “Man-Thing” a character similar to DC’s “Swamp Thing” but who debuted two months earlier. The story is directed by Michael Giacchino and written by Heather Quinn and Peter Cameron. It starts Gael García Bernal and Laura Donnelly.

October Review Challenge – Day 27

The story starts (In black and white) with the introduction of an ancient society of monster hunters. The groups leader, Ulysses Bloodstone (Another character taken directly from the 70’s comics) has died recently and so they need to crown a new leader of this society. For this purpose they have designed a special monster hunt where the winner is not only crowned the leader but also gains possession of the powerful artifact the “Bloodstone” (Whose red glow is the only colour on screen for most of the film).

The participants are those hunters with the highest kill ratio, including Jack Russell (Bernal) and Bloodstone’s estranged daughter Elsa (Donnelly). The hunters are only allowed to use the weapons hidden around the estate and may combat each other as well as the creature. Spoilers ahead (Though I don’t feel these are big ones).

Werewolf Amongst Us

Unbeknownst to the rest of the hunters and the events hostess (Bloodstone’s widow Verussa), Russell is not there to hunt the monster and has no interest in the Bloodstone, he is actually a friend of the monster and there to free him. He ends up teaming up with Elsa who is very different to the other hunters herself. The rest of the group are vicious and bloodthirsty, as eager to fight and kill each other as they are to hunt the monster.

But when Elsa and Russell cross paths they clearly have no interest in fighting and as a result end up working together, especially when Russell comes clean to Elsa that he isn’t after the Stone, only the Monster, whom he calls “Ted”. As the Hunt concludes, Verussa turns on Elsa and Russell and this sets up a final confrontation where we finally get to see the Werewolf the story is named for. No spoilers for what happens here, but you can probably guess as a Marvel film who is going to come out on top.

Wait… Marvel did something good again?

One of the reasons I wanted to review this is because Marvel has been incredibly disappointing for me over the last few year. The good story they’ve attempted to tell since “End Game” was “Spider-Man: No Way Home”. As a result I didn’t rush in to watch this, but when I did it was a huge relief. This was very well made. Here we see versions of classic Marvel characters actually done justice too. So while I’m focused on horror this month I really wanted to highlight Marvel doing something actually good!

There is a little bit of modern day subversion thrown in and Jack and Ted have some changes to their comic book personality but the changes work so that’s not really a problem. Elsa being a post 2000 character I’m less familiar with as I have read few Marvel comics post 2000 (and the ones I read I didn’t like that much), but the character on screen is good and seems like a good combination of ass kicking and actually being likeable.

A love letter to Universal

The most impressive part of this story by far though is the visuals. The intent here is to make people think of the classic Universal Monster movies of the 1930’s (and to a lesser extent the 1940’s) and to achieve this the most obvious creative decision is the use of black and white. However, this isn’t a grainy film black and white, it is a very clean modern black and white, with a spot of red thrown in through the bloodstone. A touch that was not needed, but looked damn good visually so I still approve.

The design of many of the visuals, such as the use of the ancient mansion and of the shadow play do a great job of reminding you of the Universal movies without being overly limited by that nostalgia. They have a lot more space to play with but they make sure to drop in a more Claustrophobic feel every now and then. Really outside artificially reducing the the quality of the picture and the effects there is not much else they could do to make it feel authentic. This takes the best aspects of the modern and mixes it with the best aspects of that classic style.

The Wolf Man and The Giant Sized Man-Thing!

One of the best examples here is in the design of The Werewolf. It’s worth noting he’s had several different looks in the comic, so creative changes are par for the course. Here they’ve basically taken a design that is similar to both 1935’s “Werewolf of London” and 1941’s “The Wolfman” but then taken to the pinnacle of what you can achieve with CGI. It creates perhaps the best looking werewolf I’ve seen on screen for a long time. The transformation is done beautifully too with

Contrasting to that Man-Thing (a.k.a. Ted, the hunted monster) is kept largely to his comic book look and while he is black and white, he obviously would never fit with a Universal movie of the 1930’s. They could have tried to make him look like a guy in a suit or something but it would have ruined it so they didn’t, they just made him look like the comic and it worked superbly.

Music To My Ears.

Outside of the look (Which is always going to be the main thing with this special/movie), I have to compliment the use of music. It’s worth noting Michael Giacchino is actually better known as a composer. This is his directorial debut and so naturally he did the music. But this allowed him to work the music precisely against the images on screen. This is another sensible change from how things were actually done for the peak period of the Universal Horrors from 1930-1936.

In those years speech on film was new and while silent movies had accompanying music (and occasionally original scores, such as for Nosferatu), the early talkies tended to have minimal non-diegetic music (that is, music that doesn’t have an on screen source) and the music that was there tended to be stock music, usually classical and in the case of Universal horror often mixed very low. So the use of music here is less about nostalgia and more about enhancing the visuals and it works well. This is a case of creating things how people remember it instead of how it was. No complaints here.

Assessment

Though the story doesn’t really tax any of the actors they all perform their jobs well enough. There is no particular stand out but no let downs either. The story is engaging and fun but also very straight forward. We go in knowing who the Werewolf is (Even if it wasn’t on the poster you’d guess in seconds) and we know inevitably he’ll wolf out, so there is no real complexity there.

Along that many of the side characters lack a bit for the short screen time. Honestly though with only 50 minutes of time they tell the story they needed to, they don’t break anything in doing it, they introduce three interesting characters and the have a good mixture of fun and engagement along the way.

It does what it needs to and nothing more. Clearly Giacchino was given free reign to do what he wanted (where as with the MCU usually the directors have little control) and it paid off big. I don’t know if this will prod the MCU into a more interesting direction through it’s success, but I do hope we get to see more of these characters in the future.

On the other hand it may end up as Marvel’s “Joker” an outlier reminding us of what is possible, but what may not ever be the studios preferred path. Perhaps more of note for the future though is Giacchino, a man that clearly has as much of an eye for visuals as he has an ear for music. If Universal had any sense to them they’d pouch him and get him to work with the actual Universal Monsters.

Conclusion

Overall, with such a short amount of time this achieves a lot. It’s not perfect, but what it lacks is mostly what could have been added instead of mistakes with what is there. I think this is well deserving of the second 7/10 from me this October. Time is running out for anything to overtake so as it stands so far this “Special” is my number 2 horror (or horror adjacent) movie this year around.

Rating: 7 out of 10.